The World's Best Orations, Vol. 1 (of 10) — Context and Discussion
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For The World's Best Orations, Vol. 1 (of 10) — Context and Discussion, the stored edition analysis reports 168,179 words, 12 hr 12 min estimated reading time, and 13 detected text sections.
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Arminius was our first Washington, "_haud_ _dubie_ _liberator_," as Tacitus calls him,--the savior of his country.
When the time came for expansion, and our forefathers in the fifth century began the conquest and settlement of the island that was to become their New England, they pushed out the Celts, the native inhabitants of the island, just as their descendants, about twelve hundred years later, were to push out the indigenous people of this continent, to make way for a higher civilization, a larger destiny. No Englishman ever saw an armed Roman in England, and though traces of the Roman conquest may be seen everywhere in that country to-day, it is sometimes forgotten that it was the Britain of the Celts, not the England of the English, which was held for so many centuries as a province of Rome.
The same love of freedom that resisted the Roman invasion in the first home of the English was no less strong in their second home, when Alfred with his brave yeomen withstood the invading Danes at Ashdown and Edington, and saved England from becoming a Danish province. It is true that the Normans, by one decisive battle, placed a French king on the throne of England, but the English spirit of freedom was never subdued; it rose superior to the conquerors of Hastings, and in the end English speech and English freedom gained the mastery.
The sacred flame of freedom has burned in the hearts of the Anglo-Saxon race through all the centuries of our history, and this spirit of freedom is reflected in our language and in our oratory. There never have been wanting English orators when English liberty seemed to be imperiled; indeed, it may be said that the highest oratory has always been coincident with the deepest aspirations of freedom.
It is said of Pitt,--the younger, I believe,--that he was fired to oratory by reading the speeches in Milton's 'Paradise Lost.' These speeches--especially those of Satan, the most human of the characters in this noble epic,--when analyzed and traced to their source, are neither Hebrew nor Greek, but English to the core. They are imbued with the English spirit, with the spirit of Cromwell, with the spirit that beat down oppression at Marston Moor, and ushered in a freer England at Naseby. In the earlier Milton of a thousand years before, whether the work of Caedmon or of some other English muse, the same spirit is reflected in Anglo-Saxon words. Milton's Satan is more polished, better educated, thanks to Oxford and Cambridge, but the spirit is essentially one with that of the ruder poet; and this spirit, I maintain, is English.
The dry annals of the Anglo-Saxon Chronicle are occasionally lighted up with a gleam of true eloquence, as in the description of the battle of Brunanburh, which breaks forth into a pean of victory. Under the year 991, there is mention of a battle at Maldon, between the English and the Danes, in which great heroism must have been displayed, for it inspired at the time one of the most patriotic outbursts of song to be found in the whole range of English literature. During an enforced truce, because of a swollen stream that separated the two armies, a messenger is sent from the Danes to Byrhtnoth, leader of the English forces, with a proposition to purchase peace with English gold. Byrhtnoth, angry and resolute, gave him this answer:--
"Hearest thou, pirate, what this folk sayeth? They will give you spears for tribute, weapons that will avail you nought in battle. Messenger of the vikings, get thee back. Take to thy people a sterner message, that here stands a fearless earl, who with his band wilt defend this land, the home of Aethelred, my prince, folk and fold. Too base it seems to me that ye go without battle to your ships with our money, now that ye have come thus far into our country. Ye shall not so easily obtain treasure. Spear and sword, grim battle-play, shall decide between us ere we pay tribute."
Though the battle was lost and Byrhtnoth slain, the spirit of the man is an English inheritance. It is the same spirit that refused ship-money to Charles I., and tea-money to George III.
The encroachments of tyranny and the stealthier step of royal prerogative have shrunk before this spirit which through the centuries has inspired the noblest oratory of England and America. It not only inspired the great orators of the mother country, it served at the same time as a bond of sympathy with the American colonies in their struggle for freedom. Burke, throughout his great speech on Conciliation, never lost sight of this idea:--
The advisory council for this anthology, listed in the front matter, includes academics in law, romance languages, and elocution, hinting at a broad conception of oratory that extends beyond political speechmaking. The table of contents for Volume 1 alone ranges from Pierre Abelard's sermons on the resurrection to James Barbour's constitutional arguments about treaties and commerce. This mix of genres—sermons, legal briefs, inaugural addresses—suggests that the editors, Supreme Court Justice David J. Brewer and Professor Edward A. Allen, defined 'oration' capaciously, encompassing any spoken discourse deemed influential or exemplary.
Sermons as Orations
The volume opens with Pierre Abelard (1079–1142), whose entries include 'The Resurrection of Lazarus' and 'The Last Entry into Jerusalem'—clearly sermons, not political orations. Similarly, Saint Augustine (354–430) appears with 'The Lord's Prayer,' and Aelred (1109–1166) contributes 'A Farewell' and 'A Sermon after Absence.' These selections indicate that the editors considered religious homilies a legitimate form of oratory, perhaps valuing their rhetorical structure and persuasive power. The inclusion of such early Christian and medieval figures alongside Enlightenment statesmen suggests a historical sweep that prioritizes eloquence over secular context.
Legal Arguments and Constitutional Debate
Several entries are not speeches delivered to a general audience but legal arguments before a court or legislature. James Barbour's excerpt, for instance, dissects the treaty-making power of the President and Senate versus Congress's commerce power, using technical constitutional reasoning. He asks, 'Where is the collision here? I see none,' and argues that the treaty power and legislative power can coexist. This is a lawyer's brief, not a rallying cry. Similarly, Fisher Ames's 'On the British Treaty' and James A. Bayard's 'The Federal Judiciary' reflect the early American republic's preoccupation with constitutional interpretation. The editors thus treat forensic oratory—speech in legal settings—as a core category.
Biographical Headnotes as Framing Devices
Each orator is introduced by a biographical headnote that often shapes how the speech is read. For Antoine Barnave, the note emphasizes his role in the French Revolution, his advocacy for Jewish emancipation and abolition of slavery, and his opposition to the Absolute Veto. Yet the excerpt that follows is a dense legal argument about 'Representative Democracy against Majority Absolutism' and 'Commercial Politics,' not a revolutionary manifesto. The headnote thus primes the reader to see Barnave as a reformer, even when the text itself is abstract. This framing strategy recurs throughout the volume, suggesting that the editors aimed to contextualize oratory within the speaker's life and times, sometimes more than the speech's content alone would warrant.
Readers approaching this volume should be prepared for a heterogeneous collection that blurs the line between sermon, legal argument, and political address. The editors' choices reveal a 19th-century belief that oratory encompasses any formal spoken discourse of moral or civic weight. Rather than a unified genre, the anthology offers a museum of rhetorical modes, each requiring its own interpretive lens.
This volume’s mingling of sermons and legal briefs reminded me of evenings spent in my grandfather’s study, where a speech’s boundary felt just as porous. He’d read aloud from The Complete Essays of Charles Dudley Warner — Inside the Classic, and I felt the same quiet wonder then—that words meant for one occasion could echo so personally, long after their moment passed.
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