The Book of This and That — Themes and Context

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Lynd, Robert, 1879-1949 Project Gutenberg 2010 Not confirmed
Essays Readers of public-domain and historical texts
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Words 55,080
Reading time 240 min
Text sections 6

This digital edition of The Book of This and That — Themes and Context is described by source-level measurements including 55,080 words, 4 hr estimated reading time, and 6 detected text sections.

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Robert Lynd's 1915 essay collection ranges from suspicion and dancing to Irish famine politics, blending witty moral observation with pointed social criticism in a conversational, opinionated style.
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Revolution was the result of suspicion. It began with suspicion of the Girondins; but suspicion of Danton and Robespierre soon followed. Suspicion is a monster that devours her own children. Manifestly, no movement can succeed in which men believe that their friends are viler than their enemies. But in every movement, there are men who make a trade of suspecting the leaders in their own camp, and the Socialist movement is as much exposed to the plague as any other. Suspicion of this kind, I think, is a bitter form of egoism. It is a trampling of the suspected persons under one's own white feet.

Nor is it only in movements and in nations that suspicion plays havoc. International suspicion is a no less costly visitor. We live in a world in which every cup of tea we drink and every pipe of tobacco we smoke pays toll to this ancient and gluttonous dragon. Every year each country sets up huge altars of men and ships and guns to the beast, but he is not satisfied. He demands universal power, and insists that we shall give all our goods to him except just enough to keep ourselves alive and that we shall not shrink even from offering up human sacrifices at a nod of his head. Perhaps some day a new St George will arise and release us from so shameful a subjection. Common sense seems to have as little force against him as an ordinary foot-soldier against Goliath. We feel the need of some miraculous personage to put an end to our distress. Meanwhile, one may hail as prophetic the continual organisation of new knighthoods for the Suppression of the Dragon.

There is too little respect paid to the good resolutions which are so popular a feature of the New Year. We laugh at the man who is always turning over a new leaf as though he were the last word in absurdity, and we even invent proverbs to discourage him, such as that "the road to Hell is paved with good intentions." This makes life extremely difficult for the well-meaning. It robs many of us of the very last of our little store of virtue. Our virtue we have hitherto put almost entirely into our resolutions. To ask us to put it into our actions instead is like asking a man who has for years devoted his genius to literature to switch it off on to marine biology. Nature, unfortunately, has not made us sufficiently accommodating for these rapid changes. She has appointed to each of us his own small plot; has made one of us a poet, another an economist, another a politician--one of us good at making plans, another good at putting them into execution. One feels justified, then, in claiming for the maker of good resolutions a place in the sun. Good resolutions are too delightful a form of morality to be allowed to disappear from a world in which so much of morality is dismal. They are morality at its dawn--morality fresh and untarnished and full of song. They are golden anticipations of the day's work--anticipations of which, alas! the day's work too often proves unworthy. Work, says Amiel somewhere, is vulgarised thought. Work, I prefer to say, is vulgarised good resolutions. There are, no doubt, some people whose resolutions are so natively mediocre that it is no trouble in the world to put them into practice. Promise and performance are in such cases as like as a pair of twins; both are contemptible. But as for those of us whose promises are apt to be Himalayan, how can one expect the little pack-mule of performance to climb to such pathless and giddy heights? Are not the Himalayas in themselves a sufficiently inspiring spectacle--all the more inspiring, indeed, if some peak still remains unscaled, mysterious?

Robert Lynd opens his 1915 collection The Book of This and That with a vivid, extended metaphor: suspicion is a beast with a thousand blind or askew eyes, deaf ears that mishear “whiskers” as “solicitors,” and slanderous tongues. This rhetorical flourish sets the tone for essays that move between light satire and earnest argument. Lynd contrasts noble suspicions—Columbus guessing at America, Galileo turning his telescope—with the grubby suspicions of public life, which he calls “the most tedious and scrannel of the sins.” The collection, originally published in The New Statesman, covers topics from good resolutions and the sin of dancing to the decline of Hell and the beauty of statistics.

A Beast with a Thousand Eyes

The opening essay, “Suspicion,” establishes Lynd’s characteristic method: a single concept is anatomized through simile, anecdote, and moral grading. He calls suspicion a “leering perversion” of the passion for truth, and distinguishes the explorer’s leap into light from the politician’s grubbing after evidence. The prose is conversational but precise, building a case through accumulation. Later essays, such as “On Cheerful Readers” and “Stupidity,” employ similar tactics—taking a human trait and turning it over to reveal its contradictions. Lynd’s voice is that of a skeptical moralist who distrusts easy pieties, whether about progress or about human nature itself.

The Famine and the Table of Values

In “The Heart of Mr Galsworthy,” Lynd shifts from general reflection to pointed political argument. He takes issue with John Galsworthy’s prioritization of animal welfare over constitutional reform, using the Irish Famine as a counterexample. Lynd notes that during the Famine, Ireland exported grain and cattle worth seventeen million pounds a year while people starved—a disaster he argues was preventable by self-government. He insists that constitutional changes like Home Rule and abolition of the Lords’ veto are not distractions from social reform but enablers of it. The essay reveals Lynd’s commitment to concrete historical evidence and his willingness to challenge a fellow writer’s “table of values.”

Spring Fashions and Savage Survivals

A lighter note appears in “Spring Fashions,” where Lynd observes that women’s return to dress as a festival of spring shows “a remnant of primitive humanity surviving.” He predicts women will soon be “the only savage” left. This essay, like others on dancing, black cats, and hoaxes, demonstrates Lynd’s range: he can move from the grim arithmetic of famine to an amused appreciation of human foibles. The collection’s structure—essays on murder, coincidences, indignation, and the Futurists—suggests a mind that finds equal interest in the absurd and the serious, and that trusts the reader to follow these shifts without explicit signposting.

Lynd’s essays reward readers who enjoy following a single argument through its twists and counterexamples. He does not offer systematic philosophy but a series of provocations, each grounded in specific texts or events. The collection’s title is apt: it is a book of this and that, held together by a consistent, skeptical intelligence. Readers may find it useful to read the essays in order, as themes and references echo across them, but each stands alone as a self-contained piece of early twentieth-century commentary.

Reading Lynd’s musings on suspicion reminded me of an autumn afternoon, sitting with my grandfather as he quietly judged a neighbor’s kindness. We never spoke of it, just watched the leaves. Essays in Idleness — Reading Companion held the same unhurried warmth, a gentle permission to simply think without conclusion, like two old friends sharing silence over tea.

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